web analytics

on Nov 24, 2015 in | 0 comments

(Click to Enlarge)
Oil on Canvas
17 x 34 inches in larger period frame
Brilliant colors with craquelure and two early repairs far center left and just left of center on same plane with inpainting.
Signed Svend Svendsen lower right

Born in Nittedal, Norway, Svend Rasmussen Svendsen immigrated to Chicago in 1881 to work as a lithographic artist. He was largely self-taught, although his artistic ambitions had been sparked by a youthful encounter with the great Norwegian landscape painter Fritz Thaulow, who continued to influence and inspire his work. Svendsen followed Thaulow’s penchant for painting snowy wintertime scenery but he also made coastal and marine views. His individual approach was marked by a “fearless” use of heightened color: his favorite motif was snow-covered ground cast in startlingly intense pinks and purples by the glancing light of sunset and encroaching shadows.[i] Svendsen’s exhibiting debut, in 1895, was a remarkable one: his sole entry in the Young Fortnightly Club competitive exhibition—added too late for listing in the accompanying catalogue—garnered the one-hundred-dollar prize for best oil painting produced that year that had not yet been exhibited. The next year, lauded as one of Chicago’s most important modernist landscape painters, Svendsen went to Paris to study at the Académie Delecluse.

In the following decade, Svendsen’s twilight, dawn, and moonlight landscape views continued to draw attention. He found many of his subjects in his native region, which he visited several times. Svendsen’s works often were shown at Thurber’s Art Galleries in Chicago, and he also participated in expositions in Nashville, Tennessee, in 1897 and in St. Louis in 1904, when he won a bronze medal. Integrating dramatic, even eccentric color and moody tonality, Svendsen’s paintings appealed to Chicagoans around the turn of the twentieth century for their inherently romantic, intimate approach to landscape. After about 1908, however, Svendsen essentially disappeared from the city’s art scene, a victim of poverty compounded by alcoholism. In the 1920s, a patron’s efforts to revive his career failed, and the artist spent his last years in obscurity. Svendsen’s death was reported erroneously in 1930, but a 1945 obituary for the “famous scenic artist” in the Chicago Tribune establishes the actual date.[ii]

Source: M. Christine Schwartz Collection

[i]Chicago Inter Ocean, Oct. 31, 1897, in AIC Scrapbook, v. 9.

[ii] “Svend Svendsen, Famous Scenic Artist, Is Dead,” Chicago Tribune, Sept. 7, 1945.